Gershwin’s music comes to Indy’s Beef & Boards

This romantic musical finally is back on stage at Indianapolis’ beloved Beef & Boards Dinner Theatre. Scheduled for 2020 and shut down by the pandemic, Gershwin’s music filled An American in Paris will open for 47 performances starting March 30th and run through May 14th.

Based on the 1951 Academy Award winner for Best Picture, An American in Paris brings breathtaking dance and music to the stage. Jerry Mulligan, a young American soldier, is doing his best to make it as a painter in the bustling city of Paris following the end of WWII. But when Jerry meets Lise, a young Parisian shop girl with her own secret, his life becomes complicated.

The cast of the Arizona Broadway Theatre production of An American in Paris

The City of Light’s streets become a dancefloor for the music of George and Ira Gershwin, including great tunes like “I Got Rhythm,” “But Not for Me,” “Shall We Dance,” and “’S Wonderful.” Of the impressive 11 Tony Award nominations it received,
An American in Paris won four, including Best Orchestrations.

We’re looking forward to enjoying these Gerswhin masterpieces and the accompanying story and dancing choreography on opening weekend. We’ll add our take then. Brisk ticket sales are already limiting seating availability for some performance dates. We suggest that you go to the Beef & Boards website and reserve your time for this classic movie-based show.

Explosive musical Footloose on stage at Indy’s Beef & Boards

Are you ready Indianapolis? The first musical of Indy’s beloved Beef & Boards Dinner Theatre’s 50th Anniversary season is  the dynamic, dramatic and explosive Footloose, now on stage. This show is a marvelous musical entertainment treat.

Ren and his friends dance in the opening number of Footloose

The production opens with a vibrant dance number that sets the stage for premium quality choreography and music throughout. A Beef and Boards press release provides a snapshot of the storyline: “The 1984 movie danced its way into the hearts of millions, and was nominated for two Oscars, a Golden Globe and a Grammy for its powerhouse hits including “Footloose,” “Almost Paradise,” and “Let’s Hear It for The Boy.” The stage musical combines the bestselling score with dynamic new songs in a celebration of the exhilaration of youth, the wisdom of listening to one another, and the power of forgiveness.

Ethel McCormack, Ren’s mother, played by B&B veteran Sarah Hund

Rev. Shaw Moore, played by Eddie Curry, B&B long time actor and director

Rusty (Shelbi Berry Kamohara) sings “Let’s Hear It For the Boy”

Ren, a rebellious teenager from Chicago, who, with his mother, moved from the Windy City to Bomont, a super conservative small rural town. He is shocked when he learns that dancing is illegal, among other culture shocks. The plot follows the drama as he comes to grips as best as he can with his developing feelings for Ariel, the minister’s daughter. Oh yes, the minister, Rev. Shaw Moore, is responsible for maintaining the ban on dancing, founded by a tragic accident that took the lives of four teens, including the minister’s son.

Ariel (Sharaé Moultrie), top, sings “I Need A Hero” with her friends (from left) Urleen (Logan Hill), Rusty (Shelby Berry Kamohara), and Wendy Jo (Maya Mays)

As he tries to take her order, Ariel (Sharaé Moultrie), right, tells Ren (Daniel Dipinto) that what she wants isn’t on the menu.

 

 

 

 

 

 

 

 

 

 

If you like song and dance, Footloose is for you. There are over a dozen songs performed across the two Acts of this stage play. Not only will you enjoy the songs, but you’ll also be amazed at the high stepping and energetic choreography of the dances. Over the course of the scenes the story of Ren and his quest to fit in are dotted with happiness and sadness. But the overall show is both uplifting and inspiring. Yes it has a happy ending.

At the Dance

Willard leaps at the dance

Making their Beef & Boards debuts are Daniel Alan Dipinto as Ren, and Sharaé Moultrie as the minister’s daughter, Ariel. Shelbi Berry Kamohara (The Addams Family,
Honky Tonk Angels, Hello, Dolly!) is Rusty, while Noah Nehemiah Robinson makes his Beef & Boards debut as Willard. Eddie Curry reprises his role as the uptight town minister, Rev. Shaw Moore. The show is directed by Heather Patterson King, with choreography by Doug King and musical direction by Kristy Templet. Footloose is rated PG-13 for some adult themes and language.

Ren leaps for joy at the dance

Footloose is on stage  through March 26 in the intimate space of Beef & Boards Dinner
Theatre. Tickets  include Chef Larry Stoops’ dinner buffet and select beverages.
To purchase tickets online, visit beefandboards.com. Tickets are also available by calling the Beef & Boards Dinner Theatre Box Office at 317.872.9664 anytime between 10 a.m. and 7 p.m. Tuesday through Sunday and from 10 a.m. to 5 p.m. Wednesdays.

Before Footloose at Beef and Boards

We are back at Beef and Boards, just had a great meal. Now we are enjoying a fancy cocktail waiting for the start of the first musical in the 50th anniversary season: Footloose!

Kevin Bacon starred in the 1984 movie which became an instant hit. Tonight’s cast at Beef and Boards includes several talented actors making their debut here.

We’ll have a full review with photos for you tomorrow !

Comedy filled murder mystery dinner show

We had a fun and different evening for last night’s entertainment. Our son and daughter-in-law from Columbus, Ohio came over to Indianapolis and treated us to an evening at the Indy version of The Dinner Detective murder mystery dinner show.

Where the body was found!

The show was held in a decent sized conference room at the Sheraton Hotel in the Keystone Mall on the north side of Indianapolis. Our party had seven, including three of our adult grandkids. The table sat 10, so another couple was seated, and before the show started another fellow sat down. We all wondered if this fellow was in fact part of the show.

Interaction between cast and audience

All attendees had made up “aliases” for name tags. Sher was Nancy Drew. The crowd was encouraged to question as many other guests as possible, and begin to make a suspect list. Soon after we began eating the murder victim made his appearance with a mortal wound and died on the floor.  Thus the mystery commenced.

The detective hovering over the victim’s body

Two “Police Detectives” soon came out and began the investigation. They interviewed and interacted with many of the audience. There was constant funny patter, including some hilarious one liners and great improvisation. The lack of an obvious script was a bonus.

This was the “Curtain Call” for the cast

Clues were discovered, some under some of the plates on the tables, some from printed pages giving background information for the plot. The flow of the acting was pretty much constant. The two police detectives did a great job keeping the storyline on track. The plot was quite complicated and only one person got all the details correctly.

Vegetarian Farro Risotto

Chicken Marsala

The rich dessert

All of this action took place while we were enjoying the very nice multi course meal. It started with Caesar salad. Entrees offered were Chicken Marsala, Pan Seared Tilapia, and vegetarian Farro Risotto, all topped off with a decadent rich chocolate cake. There was also a full service bar that was open the entire time. The meal was good, however the table service left a lot to be desired. That was really our only disappointment of the evening.

The company logo

We had a great time being immersed in this murder mystery. The Dinner Detective has over 80 locations in cities all over the country. Check to see if there is one near you.

 

The Lincoln Memorial Bridge over the Wabash River

One of two pylons on Indiana side of the bridge.

This bridge carries U.S. 50 Business across the Wabash River from Vincennes, Indiana to Lawrence County, Illinois. The east end of the bridge is in the George Rogers Clark National Historic Park. At this entrance to the bridge you will find two large pylons made of granite, each with a raised sculpture depicting  a Native American Chief.

The bridge is what is called a deck arch design, and has two traffic lanes and wide pedestrian walks on each side of the roadway.  It was opened to traffic in September, 1933, the same year that the George Rogers Clark Memorial was completed. President Franklin D. Roosevelt dedicated the monument in 1936.

View from the George Rogers Clark Monument

Wabash River walk, Illinois is on the other side of the river

Parked after crossing the bridge

This was one of the attractions we enjoyed on our trip to Vincennes, Indiana in August of 2020, during the height of the pandemic. We had a spot at a nearby RV Park, and were able to maintain the then acceptable “social distance” and had masks available.

Some squirrel scenes

Here’s some squirrel action we observed on the tree in our backyard.

This nut tastes pretty good, glad I found it.

There must be something to eat around here

The squirrels were out in force this afternoon enjoying the sunlight, even though it was chilly and windy with a definite feel of fall in the air.

Bivouac Of The Dead by Theodore O’Hara

O’Hara’s quatrain posted at one of two National Cemeteries in Crown Hill Cemetery, Indianapolis

Theodore O’Hara (1820 – 1867) was a poet, lawyer, soldier and adventurer from Kentucky. He penned a haunting poem honoring the dead from Kentucky killed in the Mexican War of 1847. At the end of the Civil War it became a memorial to Confederate dead, however the second quatrain of the first stanza has become an honor to any soldier killed in battle. That quatrain can be found in cemeteries across the nation and even the gateway to Arlington National Cemetery bears an inscription from O’Hara’s most noted poem.

Following is the complete poem, 12 stanzas with two quatrains per stanza. It is worth a complete read.

 

“BIVOUAC OF THE DEAD”

The muffled drum’s sad roll has beat
The soldier’s last tattoo;
No more on life’s parade shall meet
That brave and fallen few.
On Fame’s eternal camping-ground
Their silent tents are spread,
And Glory guards, with solemn round,
The bivouac of the dead.

No rumor of the foe’s advance
Now swells upon the wind;
Nor troubled thought at midnight haunts
Of loved ones left behind;
No vision of the morrow’s strife
The warrior’s dream alarms;
No braying horn nor screaming fife
At dawn shall call to arms.

Their shriveled swords are red with rust,
Their plumed heads are bowed,
Their haughty banner, trailed in dust,
Is now their martial shroud.
And plenteous funeral tears have washed
The red stains from each brow,
And the proud forms, by battle gashed
Are free from anguish now.

The neighing troop, the flashing blade,
The bugle’s stirring blast,
The charge, the dreadful cannonade,
The din and shout, are past;
Nor war’s wild note nor glory’s peal
Shall thrill with fierce delight
Those breasts that nevermore may feel
The rapture of the fight.

Like the fierce northern hurricane
That sweeps the great plateau,
Flushed with the triumph yet to gain,
Came down the serried foe,
Who heard the thunder of the fray
Break o’er the field beneath,
Knew well the watchword of that day
Was “Victory or death!”

Long had the doubtful conflict raged
O’er all that stricken plain,
For never fiercer fight had waged
The vengeful blood of Spain;
And still the storm of battle blew,
Still swelled the gory tide;
Not long, our stout old chieftain knew,
Such odds his strength could bide.

Twas in that hour his stern command
Called to a martyr’s grave
The flower of his beloved land,
The nation’s flag to save.
By rivers of their father’s gore
His first-born laurels grew,
And well he deemed the sons would pour
Their lives for glory too.

For many a mother’s breath has swept
O’er Angostura’s plain —
And long the pitying sky has wept
Above its moldered slain.
The raven’s scream, or eagle’s flight,
Or shepherd’s pensive lay,
Alone awakes each sullen height
That frowned o’er that dread fray.

Sons of the Dark and Bloody Ground
Ye must not slumber there,
Where stranger steps and tongues resound
Along the heedless air.
Your own proud land’s heroic soil
Shall be your fitter grave;
She claims from war his richest spoil —
The ashes of her brave.

Thus ‘neath their parent turf they rest,
Far from the gory field,
Borne to a Spartan mother’s breast
On many a bloody shield;
The sunshine of their native sky
Smiles sadly on them here,
And kindred eyes and hearts watch by
The heroes sepulcher.

Rest on embalmed and sainted dead!
Dear as the blood ye gave;
No impious footstep shall here tread
The herbage of your grave;
Nor shall your glory be forgot
While fame her records keeps,
Or Honor points the hallowed spot
Where Valor proudly sleeps.

Yon marble minstrel’s voiceless stone
In deathless song shall tell,
When many a vanquished ago has flown,
The story how ye fell;
Nor wreck, nor change, nor winter’s blight,
Nor Time’s remorseless doom,
Shall dim one ray of glory’s light
That gilds your deathless tomb.

 

“The Ruins” from a New York City building to Indianapolis

Holliday Park is a city park located in the near north-side of Indianapolis in one of the more higher end neighborhoods. The park is a beautiful setting with hundreds of trees, flowers and wildlife. In addition to the natural features of this inner city recreation site you will find an eclectic display affectionately tagged “The Ruins”.

The centerpiece of this ‘artwork’ is a structure that is the home of three massive sculptures atop a brick and mortar conglomeration of various architectural details. The three statues are called “The Races of Man”, are carved from (fittingly) Indiana limestone and represent Caucasian, Asian and African ethnic groups. Karl Bitter was the sculptor.

View of the whole display

Entrance of structure in 1898 showing the 3 statutes and columns

The original home of the three statues was the St. Paul building in downtown New York. The building was the work of famed architect George B. Post (1837-1913) who was the architect of many of the most important landmarks in New York City, including the New York Stock Exchange.  At the time of the completion of the St. Paul building in 1898 it was 315 feet tall and the tallest in New York City.

The original St. Paul building was torn down in 1958 to make way for a new skyscraper. The building’s owner, Western Electric, held a contest among US cities for the rights to have the sculptures. Long story short, Indianapolis won the competition. It took two decades and tons of money to bring “The Ruins” to a condition suitable for public use. For a while Western Electric considered retrieving the statues. Then Mayor of Indianapolis Richard Lugar pushed the completion of the project, which included the three  original entrance columns, in the mid 1970’s.

Detail of one of the statues

When we visited the park we frankly were amazed. What a beautiful setting! The Ruins were fascinating to see. It was fun walking the grounds and touring the extensive nature center as well. Note that there was adequate parking for RV’s and buses, making access very easy.

 

Indiana fall colors

Indiana has beautiful displays of changing fall colors. 

 

 

 

 

 

 

The fully changed trees are just stunning to see.


Fall is a most beautiful time of year in Indiana. My grandfather loved to travel and took trips several times a year. Granddaddy would never travel in October, thus would never miss the seasonal colors he loved so much.