Menopause: The Musical, the hilarious and fun celebration of women and “the change,” has returned to Beef & Boards Dinner Theatre as the first offering in the beloved Indy theater’s 51st season.

Four new friends who meet at Bloomingdales in New York City and share their struggles with menopause sing “Stayin’ Awake” to the tune of “Stayin’ Alive”
Written by Jeanie Linders, Menopause, The Musical is set in a large multi floor department store, where four women from different backgrounds meet by chance at the lingerie counter. Throughout the show the cast continues to poke fun at their collective hot flashes, forgetfulness, mood swings, wrinkles, night sweats and chocolate binges.

The Earth Mother (Melanie Souza) performs her best rock star moves during “Thank You, Doctor” sung to the tune of “Help Me Rhonda”

The Professional Woman (Enga Davis), center, does her best Tina Turner impression as she sings “What’s Love Got To Do With It”
As the production progresses the gals develop a sisterhood by means of a series of parodies from the music of the ’60s, ’70s and ’80s. A remarkable and hilarious use of famous, well known songs, new lyrics and marvelous choreography treat the audience to non-stop laughter and smiles.

The Iowa Housewife (Nancy Slusser), who had hoped to improve her sex life, sings “Only You” upon discovering a new pleasure

The Soap Star (Kimberly Vanbiesbrouck) sings “Please Make Me Over” to the tune of “Don’t Make Me Over”
The all female cast is making its Beef & Boards debut. It includes Enga Davis as a Professional Woman, Nancy Slusser as a Iowa Housewife, Melanie Souza as a hippie Earth Mother, and Kimberly Vanbiesbrouck plays a tv Soap Star.

Ultimately four new friends have “A New Attitude” about their changing bodies and lives.
Menopause: The Musical is now on stage through Feb. 4 in the intimate space of Beef & Boards Dinner Theatre. To see the complete performance schedule and to purchase tickets online, visit B&B website. This production is rated PG-13 for some adult content.






One show stopping number featured the talents of Logan Moore who played one of the brothers and the role of the Pharaoh of Egypt. Suffice it to say that for this performance the Pharaoh looked and acted surprisingly, and accurately, very much like Elvis. (Yes, Elvis) The Pharaoh’s number asking for Joseph’s interpretation of his seven cows dream sounded and looked like a Las Vegas stage show. This was one of those numbers that brought down the house. Logan even slipped into a Vegas performer character at the end of the piece!



































